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The most important thing that brings Safranbolu to the forefront in
Turkey and the world is the Safranbolu houses which are an
example of Turkish architecture. These houses are important due
to their place in urban life and their architecture. In other
terms, the Safranbolu houses are an important structure that
continue to survive centuries-old to our modern day urban life.
The houses are in two parts of Safranbolu. The first are the houses in the
Şehir (the town Centre and Kıranköy) and these are used in winter. The
second are the houses in Bağlar and they are used as summer houses.
Almost everybody there has a winter house and a summer house. The
residents in the region live in the town during winter and go to
the summer houses in Bağlar when the weather starts to warm up.
The production and trade in the Town Centre – Çarşı continues through the summer months as usual. |
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Three factors contrbute to the sizes and designs of the houses in Safranbolu: large
families with many members, raining climate, cultural and financial richness.
Architects of today often emphasise the design of respect for the environment
of the Safranbolu houses has. The relationships between nature-human-home, street-house and street-town
is very structured and balanced. There is a great respect not only fort he
environment but also to neighbours. No house prevents the view of another. In short, the view
is equally shared in Safranbolu.
Stone, mud brick, timber and turkish roof tiles have been used to build the houses
that are not only functional for use by people but also logically designed. No
matter what the shape of the land is, the upper floors of the house are always
contructed appropriatly geometrical. |
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The gardens are separated from the street with stone walls. The double wing doors
lead to the garden and sometimes straight into the house. It is possible to see
the grandeur at the entrance, the door.
As a result of the tradition of the separate quarters for men and women, some house
have two entrances. At the entrance of the house, there is the courtyard or foyer
on the ground floor. Here, there is a wooden cage called a gliste to allow light to come
inside and to help in drying out the wood which is behind it. Also on
the groud floow is the stables, large boilers and cellars. |
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A stairway, displaying skillful mastery in wood handicraft, takes you to the
upper floors. On this floor, there is a kitchen that can also be used as a bedroom.
There is a wooden cylindrical turning cupboard between the kitchen and the
mens quaters used for serving of meals. The daily living quaters are on the
middle floor. It is easier to heat this floor on cold winter days. |
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The third flor is were the Safronbolu house meets perfection. The ceiling is
higher on this flor. The rooms are entered through the doors which are open to
four diagonal sides like a pergola that is made of many sides. The entrance of the
doors to the rooms are from the corners and there are special wooden screen that
prevent a direct entrance to the room. The pergolas and rooms are decorated with
wooden handcarvings.
There are divans in each room and most rooms have a fireplace.
The side walss of the rooms contain wooden cupboards and shelves. Each room has been
designed to accomodate a nuclear family or relatives as an independant quarter.
Due to this reason, each room contains a small bathroom much like a shower
cabin inside the wooden cupboard called a “yüklük”.. |
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The protruding structures of the Safranbolu houses not only gives the houses an
aesthetic look but it also allows the person sitting by the window a view of the
whole street.
It is common to come across handcarved decorations on the pergolas, terraces and
in rooms. The windows of the house are specially designed and are narrow and long. The windows
have wooden shutters and also wooden, handcrafted cages called
"muşabak".
Although the number of windows changes according to the size of the room, there
are generally many windows. This gives the illusion of a large room from the interior
and also a unique aesthetic from the outside.
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